Byung Hoon Choi's exhibition 'Voice of Silence' at Friedman Benda delves into inward reflection, drawing inspiration from Zen Buddhism, Taoism, and Korean traditions of humility and restraint.
Choi's sculptural works explore the interplay between stillness and vitality, presence and memory, creating a dialogue through monumental basalt pieces and wooden cabinets.
His materials, including basalt and wood, reflect the passage of time and reveal Korean design traditions, bridging the past with a new sculptural language.
Choi's approach to art involves listening to the natural shapes of stones and wood, allowing the materials to guide his creative process.
Voice of Silence embodies a blend of art and design, sculptural and furniture elements, embodying a quintessentially Korean essence.
Choi's work emphasizes depth and subtlety over ostentation, echoing the modesty and reverence found in Korean traditions.
The use of basalt and wood together in Choi's work carries layers of meaning, intertwining historical and cultural references in a contemporary context.
His cross-cultural encounters inform his practice, with a focus on discovering and incorporating distinct Korean heritage into his creations.
Choi's advice to emerging designers is to set limits and then challenge them, embracing the idea that 'everything is possible' in art and design.
Voice of Silence at Friedman Benda showcases Choi's philosophical approach, inviting viewers to experience the essence of Korean design, nature, and stillness.