Dune: Prophecy, the HBO series, can't match the cinematic nature of Denis Villeneuve' Dune movies.
While Prophecy is a literary adaptation, its ties to Villeneuve's movies defines it.
The Dune franchise under Villeneuve is incompatible with TV - a format is too small to handle it.
At this point, it's painfully clear that shrinking Dune's inherently filmic nature is a task not even the Lisan al Gaib himself could accomplish.
Longtime Dune devotees may ask why the two miniseries, Frank Herbert's Dune and Frank Herbert's Children of Dune, were not successful.
But here's the thing: Those productions were built from the ground up for the small screen.
Dune: Prophecy's visual effects, costumes, and sets are light-years ahead of anything Syfy mustered.
But the series is a claustrophobic, small-scale affair, reducing the outsized ambitions of Dune franchise.
Where Dune: Part One and Part Two paid off a cosmos-wide, multi-millennia master plan, Prophecy's first season gave us sub-Game of Thrones intrigue and a vaguely defined threat.
Schapker and co. fuss over the how and the why of it all, failing to grasp that the more granular Dune: Prophecy becomes, the further away from Villeneuve's (and Herbert's) big ideas it gets.