Ibrahim Mahama conceals the Kunsthalle Bern in Switzerland behind a veil of jute sacks, marking a moment of transition for the historic gallery.
Mahama's intervention transforms the building’s exterior into a textured, earth-toned skin, layering global histories of labor, trade, and material exchange onto the facade.
The jute sack veil signifies a critical reflection on colonial legacies, global capitalism, and ecological crisis, embedding the institution within networks of labor, value, and power.
The Kunsthalle Bern's renovation phase prompts a rethinking of its mission towards inclusivity and environmental responsibility, while Mahama's installation prompts viewers to contemplate the intersection of institutional legacies and global histories.