Serif and sans-serif typefaces are often debated about what an ideal typeface for a project is.
Serif typefaces are some of the oldest modern typefaces, used in everything from books to newspaper and websites. Their mood is often associated with classic, elegant, formal, confident and established.
Sans-serif typefaces are considered more modern, embodying simplicity and having a look that's direct and precise. Their mood is often associated with modern, friendly, direct, clean and minimal.
Modern publishing techniques have narrowed the gap between serif and sans-serif typefaces and readability, and readability concerns are not based on the type category but rather the actual typeface and its application.
Of the most common myths surrounding typeface choice is to use serifs only in print. This myth is flawed and without merit.
Another myth is that sans-serif typefaces are only suitable for digital publications which is also untrue and has been used in print successfully for many years.
Readability studies have found that serif-typefaces are easier to read because added strokes make each character more distinctive.
The use of sans-serif typefaces alone does not convey a message of informality.
Serifs do not affect letter spacing, and using a serif typeface is not a solution for resolving kerning or tracking issues.
The amount of attention a design garners is not only based on a typeface alone. It depends on color, contrast, imagery, and typography.