Japanese designer Takuto Ohta's Asymptotic Wood series reawakens the expressive potential of cedar wood by carving deep cuts into the material, creating a visual tension and highlighting its natural irregularities.
Using raw cedar, Ohta aims to revitalize locally-available materials that are often overlooked in modern construction practices, advocating for a renewed connection between people, materials, and place.
The project aligns with the ethos of 'local production for local consumption' and encourages a shift towards appreciating the raw, irregular nature of materials like cedar, which have historical significance in Japan.
Takuto Ohta's Asymptotic Wood series serves as a statement on the standardization of materials in global construction and emphasizes the importance of maintaining a connection to the physicality and uniqueness of natural resources.