In the film, The Order, a character pores over The Turner Diaries, a 1978 novel that depicts the violent overthrow of the American government by armed white supremacist insurgents.
Bob Mathews, the founder of a murderous white supremacist guerrilla outfit, referred to his group as “The Order”— the same term used in the book for the protagonist’s genocidal militants.
Mathews’ campaign of armed insurgency and domestic terrorism has continued to inspire generations of extremists in the United States and beyond.
Terrorgram’s materials, which include viable bomb-making instructions, have radicalized at least one “saint,” or mass shooter.
The Order unearths a critical chapter in the history of the American extreme right, largely forgotten by the general public.
The hope of slipping an unsparing portrayal of domestic extremism into the December award season is to reintroduce a discussion of radicalization to American society.
The Order remains firmly rooted in the past, save for one passing reference to the 1995 Oklahoma City bombing, during production there was no escaping the drumbeat of resurgent far-right militancy in the United States.
Hoult’s portrayal of Mathews aimed to show audiences how someone with his charisma could attract followers and build a movement.
The film’s production team walked a fine line between showing Mathews’ magnetism and the murderous project at the heart of his ideology and actions.
Ultimately, The Order is a hope to reintroduce a discussion of radicalization to American society.